ABBEY LINCOLN - continued
After living in California for many years, Lincoln moved back to Chicago as her singing career was beginning to take off. She landed a role as a singer in the 1956 filmThe Girl Can’t Help It. After the film, Lincoln fired her manager and became a recording artist.

Lincoln recorded her first album,Abbey Lincoln’s Affair: A Story of a Girl in Love, in 1955. She moved to New York City,New Yorkin 1957 to pursue her music career by working at the Village Vanguard, a jazz club in Greenwich Village, New York. While performing there she metMax Roach, a drummer, composer, and bebop creator whom she would eventually marry.

Roach played a large role in her civil rights activism in the 1960s. She, her husband, and other artists performed at benefits and fundraisers for theNational Association for the Advancement of Colored People (NAACP)and theCongress of Racial Equality (CORE), among other civil rights groups. Lincoln’s music began to reflect injustices blacks experienced in America in albums like,We Insist: Freedom Now Suite,andStraight Ahead.

Lincoln played roles in the 1964 filmNothing But a ManandFor the Love of Ivyin 1968. By the end of the 1960s, however, Lincoln and Roach divorced, and she moved back to California, where she became immersed inart. In the 1970s and 1980s, Lincoln recorded songs for Inner City and Enja, small independent record labels. In 1989, Lincoln was invited byFrench producer Jean-Philippe Allard to record for Verve Records/ France, giving a major boost to her career. In 1990, Lincoln’s album,The World Is Falling Down, propelled her back into fame in her sixties. She continued to record philosophical CD’s for Verve, which brought her continuous success.

In 2003, Lincoln received the National Endowment for the Arts NEA Jazz Masters Award. Her last album,Abbey Sings Abbey, was recorded in 2007. She died on August 14, 2010 at the age of 80 in her Upper West Side apartment in Manhattan, New York.

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